HDR & 4K with the FSI XM310K 3000nit Mastering Monitor
Featuring: Flanders Scientific CEO Bram Desmet, Mixing Light's Dan Moran, Dolby showing off the Dolby Vision CMU, BlackMagic Design with Resolve 15, the DaVinci Resolve Panel range and more!
1pm - 9pm with a brief talk at 2, 4, 6 & 8pm
Anyone with a wireless mic knows about frequencies... But what's the score with sending video over the 5.8Ghz band?
The Internet is full of LED vs OLED debate. But most of the time, they’re only related to big, 50"+ displays. Which is great, but what about when it comes to small, professional handheld or camera-mounted displays – what should you get… LED or OLED?
Taking feedback from professional users, along with their previous offerings, this new adapter accommodates lenses with a front element size of up to 65mm, and has a rear thread size of 82mm.
Panasonic has launched a competition for video professionals in Europe and the US to showcase their best work, shot on the AU-EVA1 compact cinema camera.
We have moved on since the 80s and 90s and left terms such as Betamax and S-Video languishing in museums
The Nano-VBR98 is specifically designed for select Panasonic Camcorders such as the Panasonic EVA1. They are equipped with a 4-stage LED gauge and a P-tap.
FieldCast 12G SFP modules allows 4K 60p video to be sent over single mode fiber upto 10Km, that’s over 6 miles!
The Panasonic Lumix GH5S has been tested by Colour Science Expert Alan Roberts according the European Broadcasting Union R.118 guidelines and, as a result, it is effectively approved for broadcast use in HD and for second camera use in UHD productions. For acceptance in the EBU Tiering system, the camera should be used with the optional DMW-XLR1 sound module to allow for XLR audio connections.